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BUY NOW

Epic 5

Near-Field Studio Monitor
The philosophy that drives our development process strives uncompromisingly to achieve:

 • Flat frequency response
 • Extended frequency range
 • Fast Transient response
 • High dynamic range
 • Perfect time-alignment
 • Excellent directivity
 • All in-phase design
 • Flat phase response
 • Low distortion
 • No dynamic manipulation
 • No psychoacoustic tricks
 • No air-flow noise
 • Very low noise
 • Pure analog processing
Purely Analog

From the very beginning, our development team opted for purely analog signal routing with high-quality components. Therefore, signal transmission takes place directly and is unadulterated, and DSP compensation is rendered completely unnecessary.
"A beautifully detailed, highly portable, great sounding monitor, custom made for small spaces...

The bottom ported radiator gives them
a gentle haptic thump that I quite enjoy.”
 

– Paul Vnuk Jr.
   Editor-in-Chief
   RECORDING Magazine

Read the Review
Exceeding Needs

The Epic-5 highlights our obsessive nature to create products that will exceed our customer's needs. In this case, our goal was to create a reasonably priced near-field studio monitor, with great attention to detail, carefully balanced, technically up-to-date, with no design compromises – in an aesthetically pleasing package.
We Sweat the Details

For even sound reproduction, we focused on linear signal response and its temporal and  harmonic aspects. In and out swing behavior is balanced across the entire bandwidth. Equal material properties of the sound-forming components result in a homogeneous sound, in which all components perform harmoniously, avoiding the need for artificial DSP compensation.
Down to the Last Detail

As we embarked on the Epic-5 development journey, it quickly became clear that virtually no mass-produced components could be used for the implementation of such an ambitious overall concept. After four long years of development work we have developed all the individual components as well as our own manufacturing process for the Epic 5!
The Result? Amazing Sound + Design

The Epic 5 provides a harmonious home to its perfectly balanced components — tweeters, woofers, passive radiators, and amplifier electronics. It comes with a very elaborate, compact housing that's optimized for stiffness. The wavefront timing of components is mechanically aligned, so they oscillate in phase and are phase-locked in the relevant frequency range. Low noise guarantees a very high dynamic range – decaying signals, such as reverb tails or fading guitar strings won't get lost in the noise floor.
"To be able to trust that my mixes come out exactly
how I hear them in here, that’s a huge thing."


– David Yungin Kim

3x Grammy Award Winning Multi-platinum Engineer
(Nas, Nipsey Hussle, Kendrick Lamar) 

Watch Interview
Image Gallery
Technical Info
Frequency Response:
56 Hz-33 kHz ±3dB
Frequency Response:
45 Hz-38 kHz ± 10dB
Amplifier Power:
2 x 75W RMS, 2 x 150W Peak
Amplifier Technology:
Class D, 115dB Dynamic Range, High current and Damping, Response up to 100kHz, very low Noise
Max. Sound Pressure (pair, 1m):
109 dB(C) SPL
Power Supply:
Universal 100-240VAC, 50/60Hz
Woofer:
5.25" - own design for high transient & low resonance
Tweeter:
1"- own design for high transient & wide response
Crossover:
2kHz, 24dB/Octave
Input Impedance balanced (XLR):
12kOhm
Input Impedance unbalanced (RCA):
3.3kOhm
Input Sensitivity balanced:
+4 dBu
Input Sensitivity unbalanced:
-10 dBV
Room Correction High:
± 5 dB in 1 dB Steps above 2.5kHz
Room Correction Low:
± 5 dB in 1 dB Steps below 250Hz
Dimensions without Spikes:
270 x 190 x 240 mm
Dimensions with Spikes:
310 x 190 x 240 mm
Weight per Unit:
5.2kg
Dimensions with Case:
480 x 340 x 340 mm
Weight with Case (pair):
16kg
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Free-Field Frequency Response
Measured in Schalltoten space at 1m distance
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Horizontal Radiation Behavior
Measured in Schalltoten room at 1m – at 0 °, 10 °, 20 °, 30 ° and 40 °
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Cumulative Decay Spectrum
Measured in Schalltoten space in 20cm distance, time axis: 0ms
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Jump Response Curve
At a distance of 1 m to assess the temporal behavior of  drivers
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Acoustic Phase
Very flat middle frequency range, measured at 1m distance
THD
Measured 30cm apart at a level of 94dB SPL
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 © 2023 Eleven Dimensions Media, LLC. All rights reserved.
  • ABOUT
  • PRODUCTS
    • Audified >
      • GK Amplification Pro 3
      • AmpLion 2 Rock Essentials
      • Linda IronVerb
      • Linda RockStack
      • VocalMint Compressor
      • VocalMint Saturator
      • Bass Processors >
        • Peridot Pro
        • Peridot LE
        • Sphene Pro
        • Sphene LE
      • ToneSpot >
        • ToneSpot Computer Music
        • ToneSpot Electric Pro
        • ToneSpot Electric Express
        • ToneSpot Acoustic Pro
        • ToneSpot Acoustic Express
        • ToneSpot Bass Pro
        • ToneSpot Bass Express
        • ToneSpot Drum Pro
        • ToneSpot Drum Express
        • ToneSpot Voice Pro
        • ToneSpot Voice Express
      • MultiDrive Pedals >
        • MultiDrive Pedal Pro
        • MultiDrive Pedal LE
      • Classic Effects >
        • Synergy R1 Reverb
        • RZ062 Equalizer
        • GK Amps Pro 2
        • U73b Compressor
        • U78 Saturator
        • STA Effects
        • STA Preamp 2
        • DW Drum Enhancer
        • InValve Effects
      • Software Bundles >
        • German Studio Bundle
      • Studio Utilities >
        • RecALL
        • MixChecker
        • MixChecker Pro
        • SpeakUp
        • InTone 2
        • TNT Voice Executor
    • Auro 3D Audio
    • BOME >
      • BOME Network Pro
      • MIDI Translator Pro
      • BOME Box
    • ESI Audiotechnik >
      • USB Audio Interfaces >
        • UGM192
        • MAYA22 USB
        • MAYA44 USB+
        • U24 XL
        • Gigaport eX
        • U22 XT
        • U22 XT cosMik Set
        • U86 XT
        • U108 PRE
        • U168 XT
        • Dr. DAC nano
      • Network Audio Interfaces >
        • planet22x
      • PCIe Audio Interfaces >
        • MAYA 44 eX
      • Mobile Accessories >
        • cosMik Lav
        • MIDI nTour CX
      • MIDI Interfaces >
        • MIDIMATE eX
        • M4U eX
        • M8U eX
      • Studio Accessories >
        • cosMik uCast
        • cosMik 10
        • eXtra 10
        • MoCo
      • Monitoring Speakers >
        • aktiv 05
        • unik 05+
        • unik 08+
        • aktiv 10s
    • Ploytec >
      • PL2
      • AROMA
      • ONE.2
    • PSI Audio >
      • A14-M V3 Broadcast
      • A14-M V3 Studio
      • A17-M
      • A21-M
      • A23-M
      • A25-M
      • A214-M
      • A215-M
      • A125-M
      • A225-M
      • AVAA
      • Accessories >
        • R&B Router & Bass Management
        • Metal Grill & Brackets
        • Gig Bags
    • reProducer Audio Labs >
      • Epic 5 Nearfield Studio Monitor
      • Epic 55 Midfield Studio Monitor
    • Teknosign >
      • BOX LINE >
        • DIA – Dual Active DI Box
        • DIP – Dual Passive DI Box
        • DPS – Dual Mic Splitter
        • HPA – Headphone Amp
        • HUB – High Power USB Hub
        • MNB – Mini AC Line Conditioner (USA)
        • MNB – Mini AC Line Conditioner (EU)
      • Summing Amplifiers >
        • Sum Adjust Pro
        • Sum Adjust Junior
        • Sum Adjust LT
        • Sum Adjust Classic
      • Microphone Preamps >
        • Gain
      • Noise Buster
      • Automixer
      • On Air
      • Patchbays & Adapters
    • Ultramixer
    • Zynaptiq >
      • Software Bundles >
        • The Mac Audio Apps Bundle
        • MASTER Bundle
        • DESIGN Bundle
        • REMIX Bundle
        • REPAIR Bundle
        • ZAP 2 Bundle
      • ORANGE VOCODER 4
      • ADAPTIVERB
      • WORMHOLE
      • MORPH 2
      • UNMIX::DRUMS
      • UNVEIL
      • UNFILTER
      • UNCHIRP
      • PITCHMAP
      • INTENSITY
      • TIME FACTORY II
  • COMMUNITY
    • Product Reviews
  • BUY