INTENSITY
Detail | Clarity | Density | Loudness
|
INTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone. .
Think "Compressor"
So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.
So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.
Or Actually, Do NOT Think "Compressor"
Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type. That said, the compressor analogy does serve to give you an idea of when to use it and what for.
Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type. That said, the compressor analogy does serve to give you an idea of when to use it and what for.
|
Across the Board
INTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.
INTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.
Fast, Faster, INTENSITY!
This plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this:
In some cases, you may additionally:
That is literally it.
This plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this:
- Insert plugin
- Adjust INTENSITY amount
- Enjoy the result.
In some cases, you may additionally:
- Adjust BIAS Amount and/or Curve
- Switch LEVEL COMPENSATION off
- Activate the saturation.
That is literally it.
TL;DR – Summarize that in Plain English, Please
OK, we'll drop the geek. It's a high-tech thing that makes everything sound way more awesome. Which is why we call it the "AWESOME!-Knob" in our offices. Put it on everything, all of the time. Be careful, it's highly addictive. Plain enough? :-)
OK, we'll drop the geek. It's a high-tech thing that makes everything sound way more awesome. Which is why we call it the "AWESOME!-Knob" in our offices. Put it on everything, all of the time. Be careful, it's highly addictive. Plain enough? :-)
In Depth
Intensity
At the heart of the plugin lies its namesake, the INTENSITY circuit. A combination of advanced neural network based analysis and proprietary input and output transforms is used to separate the signal into broad strokes and detail features.
By boosting the details while leaving the broad strokes in place, the sound's unique characteristics are amplified, masking effects mitigated, details carved out, the density and perceived loudness increased. Sounds high tech? That's because it IS. |
Bias
As if that weren't cool enough, we've built in controls for tweaking these oscillators, for timbral manipulation from subtle to... quite dramatic.
In most cases, the INTENSITY trackball is all you'll need to use to get a great sound. But the processing amount can be controlled frequency dependently, too, using the BIAS function. RICHNESS introduces harmonics of a specified interval into the SUSTAIN SYNTH’s sound. However, instead of adding pitch shifted copies of the sound in, RICHNESS works by causing oscillators to excite other oscillators that are at or close to the interval specified with INTERVAL, or in other words: *existing* harmonics at this interval are reinforced and no new oscillators are added. |
Preset Bias Curves
Custom Bias Curve
Saturate
On top of the high-tech INTENSITY circuit, there's also a slightly more traditional, but nonetheless state-of-the-art soft-knee saturating limiter that can optionally be switched into the output stage. From subtle glue to in-your-face-ness to Yeah-I-Just-Got-Three-dB-of-Loudness-For-Free in mastering to straight-up overdrive, the SATURATE circuit delivers a beautifully warm, meaty tone...and can drive the loudness into La-La-Land.
|
Key Features & Specifications
- Mastering-grade processing for more detail, clarity, density and loudness.
- Intuitive and fast workflow using a streamlined set of controls.
- Proprietary INTENSITY circuit with optional frequency-dependent BIAS function.
- Additional precision soft-knee saturating limiter at the output stage.
Mac OS X
Windows
- Apple AudioUnits (32/64bit)
- Avid RTAS
- Avid AAX Native including AudioSuite (32/64bit)
- Steinberg VST 2.4 (32/64bit)
- Steinberg VST 3 (32/64bit)
- Apple Mac computer
- OSX 10.8.x or newer
- Intel CPU with at least 2 Cores; i7 or better recommended.
- Apple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS/AAX compatible Host software
- For AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6
Windows
- Avid RTAS
- Avid AAX Native including AudioSuite (32/64bit)
- Steinberg VST 2.4 (32/64bit)
- Steinberg VST 3 (32/64bit)
- Windows 7 or newer
- CPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.
- Steinberg VST 2.4, VST 3 or Avid RTAS/AAX compatible Host software
- For AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6