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AVAA C214 - Digital Active Bass Trap
The new digital AVAA C214 stands aside its world-famous sibling, the AVAA C20. The innovative AVAA technology absorbs room modes from 15 Hz to 160 Hz with an equivalent absorption area up to 45 times its size and without requiring calibration or tuning.
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Working from 15 Hz to 160 Hz
The AVAA is a pressure based absorber. Whether you have 1 or multiple disturbing room modes, the AVAA C214 will absorb all of these that are present in its location. AVAA is a Revolution Based on the same absorption principles as the AVAA C20, the AVAA C214 is fully digital and allows control via an app. No Calibration Required Simply place it where your room modes are and it will absorb them. No calibration required. |
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High efficiency
As effective as a perfect passive absorber up to 45 x its size |
Digital solution
Ultra low latency processing via 2 independent DSPs |
Works in any type of room
The AVAA C214 can be used anywhere: recording/mixing/mastering studios, OB Vans, hifi listening rooms, machine rooms, etc. |
Absorption only
Thanks to our technology, there is no signal emitted, only absorption |
Plug and Play
No calibration required. Simply place it where the room modes are |
Portable
Take it from your recording room to your mixing studio easily |
Optional Mounting Feet
The mounting feet allow you to easily install an AVAA C214 on a wall, ceiling or simply position it horizontally on the floor. The assembly remains very compact.
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Introduction to the New AVAA C214
In this video, Roger Roschnik, CEO of PSI Audio, explains the basics of the room modes and why we created the AVAA technology. Discover our new active bass trap, the AVAA C214, which is completely digital and can be controlled with an app.
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“In short, there was not enough 'BOO..' in the bass – but way too much '…OOOMMMmmm' clouding the overall image. Once we turned on the AVAAs, we could all hear the “BOOM” clearly – and everything else in the mix too. Needless to say, we abandoned all of the first day’s mixes and started over – sans dark fog.”
– Andy Hong Tape Op Magazine |
