Eleven Dimensions Media, LLC
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INTENSITY 2 – New!

Detail | Clarity | Density | Loudness​
BUY NOW
INTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone.

INTENSITY 2 doubles down on the classic's core features and workflow, adding exciting new features and improvements across the board, including new algorithms with low CPU use and near-zero latency, support for up to 16 channels for immersive workflows, more BIAS CURVE presets, mid/side processing options, and much more.

Conceptually similar to what HDR does for photography, INTENSITY 2 brings out a sound's inherent detail, increases perceived loudness, and adds clarity and bite - and is operated using essentially a single control. Between three proprietary algorithms, mid/side processing, an optional soft-knee saturating limiter, 16-channel support, and a super-fast and inspiring workflow, INTENSITY 2 is a must-have for mixing, mastering, and sound design.
New features in INTENSITY version 2:  
  • New CRYSTAL and BRONZE algorithms: based on our custom engineered minimum phase filter bank, CRYSTAL and BRONZE bring a sound with more bite and stronger transients to the table. Optionally running in 64-bit precision, both feature significantly reduced CPU load and near-zero latency (3 samples). The v1 algorithm is of course still included, and has been renamed to SMOOTH.
  • Support for up to 16 channels for immersive workflows.
  • M/S Processing: Stereo instances can now process either the stereo signal, just the Midchannel, or just the Side channel. Using INTENSITY on the Side channel produces a lovely, huge stereo image.
  • More BIAS CURVE PRESETS: INTENSITY 2 now sports a total of 22 BIAS CURVE PRESETS, up from 10.
  • Redesigned, scalable UI: the UI is now fully vectorized, provides up to 200% of zoom, features a new help text system, and has generally been streamlined.
  • Previous/Next/Load/Save Preset can now be controlled via MIDI for improved accessibility.
  • Version 2 comes with dual activations, like all our latest releases.

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Think "Compressor"

So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.
Or Actually, Do NOT Think "Compressor"

Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type. That said, the compressor analogy does serve to give you an idea of when to use it and what for.
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"INTENSITY is the closest thing yet to a 'make it sound better' box."

– Paul White

    Sound On Sound Magazine

Read the Review
Across the Board
​
INTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.
Fast, Faster, INTENSITY!

This plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this:

  • Insert plugin
  • Adjust INTENSITY amount
  • Enjoy the result.

In some cases, you may additionally:

  • Adjust BIAS Amount and/or Curve
  • Switch LEVEL COMPENSATION off
  • Activate the saturation.

That is literally it.
​TL;DR – Summarize that in Plain English, Please

OK, we'll drop the geek. It's a high-tech thing that makes everything sound way more awesome. Which is why we call it the "AWESOME!-Knob" in our offices. Put it on everything, all of the time.  Be careful, it's highly addictive. Plain enough? :-)
In Depth
Intensity
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At the heart of the plugin lies its namesake, the INTENSITY  circuit. A combination of advanced neural network based analysis and proprietary input and output transforms is used to separate the signal into broad strokes and detail features.

By boosting the details while leaving the broad strokes in place, the sound's unique characteristics are amplified, masking effects mitigated, details carved out, the density and perceived loudness increased. Sounds high tech? That's because it IS.
Bias
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As if that weren't cool enough, we've built in controls for tweaking these oscillators, for timbral manipulation from subtle to... quite dramatic.

In most cases, the INTENSITY trackball is all you'll need to use to get a great sound. But the processing amount can be controlled frequency dependently, too, using the BIAS function.

RICHNESS introduces harmonics of a specified interval into the SUSTAIN SYNTH’s sound. However, instead of adding pitch shifted copies of the sound in, RICHNESS works by causing oscillators to excite other oscillators that are at or close to the interval specified with INTERVAL, or in other words: *existing* harmonics at this interval are reinforced and no new oscillators are added.
Preset Bias Curves
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INTENSITY features ten preset bias curves, including two equal loudness curves, a presence boost curve, linear tilt curves, and more.

Curves are selected using our proprietary Visual Menu widget, which allows you to preview a setting simply by hovering your mouse over it. ​
Custom Bias Curve
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Or simply create your own. Supported by multiple macro functions, finding just the right curve is a snap.
Saturate
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On top of the high-tech INTENSITY circuit, there's also a slightly more traditional, but nonetheless state-of-the-art soft-knee saturating limiter that can optionally be switched into the output stage. From subtle glue to in-your-face-ness to Yeah-I-Just-Got-Three-dB-of-Loudness-For-Free in mastering to straight-up overdrive, the SATURATE circuit delivers a beautifully warm, meaty tone...and can drive the loudness into La-La-Land.
Key Features & Specifications
​

  • Mastering-grade processing for more detail, clarity, density and loudness. 
  • Intuitive and fast workflow using a streamlined set of controls. 
  • Proprietary INTENSITY circuit with optional frequency-dependent BIAS function. 
  • Additional precision soft-knee saturating limiter at the output stage. 
INTENSITY 2 supports channel counts from mono to 16 for immersive workflows, and all common sampling rates from 44.1kHz to 192kHz, depending on available CPU resources. Stereo instances provide additional mid-only and side-only processing options.
INTENSITY 2 runs as 64-bit AAX Native, AU, and VST 3.
The plug-in supports macOS 10.15.x or newer, on Intel & Apple Silicon processors, and Windows 10 or newer.
INTENSITY 2 uses PACE copy protection, requiring a free ilok.com account, and can be activated to the hard drive of your computer or an iLok 2 or newer USB dongle. INTENSITY 2 is single user/seat licensed, but allows dual activations for convenience.
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  • ABOUT
  • PRODUCTS
    • Auro 3D Audio
    • BOME >
      • BOME Network Pro
      • MIDI Translator Pro
      • BOME Box
    • ESI Audiotechnik >
      • USB Audio Interfaces >
        • UGM192
        • MAYA22 USB
        • MAYA44 USB+
        • U24 XL
        • Gigaport eX
        • U22 XT
        • U22 XT cosMik Set
        • U86 XT
        • U108 PRE
        • U168 XT
        • Dr. DAC nano
      • Network Audio Interfaces >
        • planet22x
      • PCIe Audio Interfaces >
        • MAYA 44 eX
      • Mobile Accessories >
        • cosMik Lav
        • MIDI nTour CX
      • MIDI Interfaces >
        • MIDIMATE eX
        • M4U eX
        • M8U eX
      • Studio Accessories >
        • cosMik uCast
        • cosMik 10
        • eXtra 10
        • MoCo
      • Monitoring Speakers >
        • aktiv 05
        • unik 05+
        • unik 08+
        • aktiv 10s
    • LIVELOOP >
      • LIVELOOP
    • PEACH AUDIO >
      • CUBE 5
    • Ploytec >
      • PL2
      • AROMA
      • ONE.2
    • PSI Audio >
      • STUDIO MONITORS >
        • A14-M V3 Studio
        • A17-M
        • A21-M
        • A23-M
        • A25-M
        • A215-M
        • A214-M
        • A125-M
        • A225-M
      • ACTIVE BASS TRAPS >
        • AVAA C214
        • AVAA C20
        • AVAA TECHNOLOGY
      • Accessories >
        • R&B Router & Bass Management
        • Metal Grill & Brackets
        • Gig Bags
    • reProducer Audio Labs >
      • Epic 4 Nearfield Studio Monitor
      • Epic 5 Nearfield Studio Monitor
      • Epic 55 Midfield Studio Monitor
    • Teknosign >
      • BOX LINE >
        • PEQ – Parametric Equalizer
        • MVC – Vari-Mu Compressor
        • DSMP – Dual Solid State Mic Preamp
        • SSMP – Solid State Mic Preamp
        • RPS – BOX Line Power Supply
        • PPS – 48 Volt Power Supply
        • SAM – Sum Adjust Mini
        • DIA – Dual Active DI Box
        • DIP – Dual Passive DI Box
        • DPS – Dual Mic Splitter
        • HPA – Headphone Amp
        • HUB – High Power USB Hub
        • MNB – Mini AC Line Conditioner (USA)
        • MNB – Mini AC Line Conditioner (EU)
      • Summing Amplifiers >
        • Sum Adjust Classic
      • Automixer
      • Patchbays & Adapters
    • Ultramixer
    • Zynaptiq >
      • Zynaptiq Software Bundles >
        • CREATE Bundle
        • REPAIR Bundle
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        • ZAP Bundle IV
        • The Mac Audio Apps Bundle >
          • TRIUMPH
          • LOOP EDITOR
          • MYRIAD
          • SPECTRE
      • INTENSITY 2
      • BALANCE >
        • BALANCE - Mobile
      • PUNCH
      • PITCHSHIFT
      • PITCHMAP::Colors
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